In his essay on ‘the image of God’ the Roman Christian theologian Origen brings forth his thoughts on the image of God in Man. Utilizing Neoplatonist dynamics Origen reasons that the image of God exists in Man as the vital spirit.
“Consequently that first heaven, which we have called spiritual, is our mind, which is itself spirit; it is our spiritual human being who sees and gazes upon God. But this corporeal heaven, which is called firmament, is our external human being, which sees corporeally.
“Not therefore from works does the root of justice grow, but from the root of justice grows the fruit of works.
“…the one who was made ‘in the image of God’ is our internal human, invisible and incorporeal and incorrupt and immortal.
“We are not commanded to tear out and destroy the natural impulses of the soul, but to purify them, that is, to purge and drive out the dirty and impure things which have come to them by our negligence so that the natural vitality of its own innate power might shine forth.
“We shall be like him’ (cf. Jn 3:2), this likeness is not due to nature but to grace. For example if we say that a portrait is like the one whose image is seen expressed in the portrait, the similarity is due to the quality of the expression – grace -, while in substance the two remain quite different.
*All excerpts have been taken from Origen: Spirit & Fire, The Catholic University of America Press.
On Buildings by Procopius was written as a panegyric of the Roman emperor Justinian with the intent of glorifying the monumental architecture of his reign. The work is somewhat controversial, because The Secret History – which Procopius also wrote about Justinian – largely vilified the emperor. External of the panegyric elements of On Buildings there are engaging insights into the Roman architecture of the era.
“The Emperor Justinian was born in our time, and succeeding to the throne when the state was decayed, added greatly to its extent and glory by driving out from it the barbarians, who for so long a time had forced their way into it, as I have briefly narrated in my History of the Wars. They say that Themistocles, the son of Neocles, prided himself on his power of making a small state great, but our Emperor has the power of adding other states to his own, for he has annexed to the Roman Empire many other states which at his accession were independent, and has founded innumerable cities which had no previous existence.
Hagia Sofia: “The entire ceiling is covered with pure gold, which adds glory to its beauty, though the rays of light reflected upon the gold from the marble surpass it in beauty; there are two porticos on each side, which do not in any way dwarf the size of the church, but add to its width. In length they reach quite to the ends, but in height they fall short of it; these also have a domed ceiling and are adorned with gold… who could tell of the beauty of the columns and marbles with which the church is adorned? One would think that one had come upon a meadow full of flowers in bloom: who would not admire the purple tints of some and the green of others, the glowing red and glittering white, and those, too, which nature, like a painter, has marked with the strongest contrasts of color?… No one ever became weary of ‘this spectacle, but those who are in the Church delight in what they see, and, when they leave it, magnify it in their talk about it; moreover, it is impossible accurately to describe the treasure of gold and silver plate and gems, which the Emperor Justinian has presented to it… That part of the church which is especially sacred, and where the priests alone are allowed to enter, which is called the Sanctuary, contains forty thousand pounds’ weight of silvers.
Column of Justinian: “…On the summit of the column there stands an enormous horse, with his face turned towards the east – a noble sight… Upon this horse sits a colossal bronze figure of the Emperor, habited as Achilles, for so his costume is called; he wears hunting-shoes, and his ankles are not covered by his greaves. He wears a corslet like an ancient hero, his head is covered by a helmet which seems to nod, and a plume glitters upon it. A poet would say that it was that ‘star of the dog-days’ mentioned in Homer. He looks towards the east, directing his course, I imagine, against the Persians; in his left hand he holds a globe, by which the sculptor signifies that all lands and seas are subject to him. He holds no sword or spear, or any other weapon, but a cross stands upon the globe, through which he has obtained his empire and victory in war; he stretches forward his right hand towards the east, and spreading out his fingers seems to bid the barbarians in that quarter to remain at home and come no further.
Roman Senate Building: “In front of the palace there is a forum surrounded with columns. The Byzantines call this forum the Augustaeum… On the eastern side of this forum stands the Senate House, which baffles description by its costliness and entire arrangement, and which was the work of the Emperor Justinian. Here at the beginning of every year the Roman Senate holds an annual festival, according to the custom of the State… Six columns stand in front of it, two of them having between them that wall of the Senate House which looks towards the west, while the four others stand a little beyond it. These columns are all white in color, and in size, I imagine, are the largest columns in the whole world. They form a portico covered by a circular dome-shaped roof. The upper parts of this portico are all adorned with marble equal in beauty to that of the columns, and are wonderfully ornamented with a number of statues standing on the roof.
The Chalke Gate to the Great Palace: “This entrance-hall is the building called Chalce; its four walls stand in a quadrangular form, and are very lofty; they are equal to one another in all respects, except that those on the north and south sides are a little shorter than the others… Above them are suspended eight arches, four of which support the roof, which rises above the whole work in a spherical form, whilst the others, two of which rest on the neighboring wall towards the south and two towards the north, support the arched roof which is suspended over those spaces. The entire ceiling is decorated with paintings, not formed of melted wax poured upon it, but composed of tiny stones adorned with all manner of colors, imitating human figures and everything else in nature…
I will now describe the subjects of these paintings. Upon either side are wars and battles, and the capture of numberless cities’, some in Italy, and some in Libya. Here the Emperor Justinian conquers by his General Belisarius; and here the General returns to the Emperor, bringing with him his entire army unscathed, and offers to him the spoils of victory, kings, and kingdoms, and all that is most valued among men. In the midst stand the Emperor and the Empress Theodora, both of them seeming to rejoice and hold high festival in honor of their victory over the kings of the Vandals and the Goths, who approach them as prisoners of war led in triumph. Around them stands the Senate of Rome, all in festal array, which is shown in the mosaic by the joy which appears on their countenances; they swell with pride and smile upon the Emperor, offering him honors as though to a demi-god, after his magnificent achievements. The whole interior, not only the upright parts, but also the floor itself, is encrusted with beautiful marbles, reaching up to the mosaics of the ceiling. Of these marbles, some are of a Spartan stone equal to emerald, while some resemble a flame of fire; the greater part of them are white, yet not a plain white, but ornamented with wavy lines of dark blue.
*All excerpts have been taken from The Complete Procopius Anthology, Bybliotech.
Empires of Trust was published in 2008 during the low-point of the United States war in Iraq, and perhaps because of that war it sought to examine the evolution of American power in comparison with the Roman Empire. Ancient and medieval historian Thomas F. Madden goes into considerable detail propounding the complexities of Roman culture, and explaining how that empire emerged. Although Madden identifies many similarities between American and Roman civilizations he unexpectedly unmasks many more differences.
“The U.S. military is larger than the militaries of all other NATO allies combined. American military bases are planted in many NATO countries, while no allied bases are in the United States at all. Yet, Americans will still insist that NATO is an alliance of equals, not a structure of an empire.
“Doubt among allies regarding the trustworthiness of the Empire of Trust is toxic. Americans cannot allow it and neither could the Romans. Hannibal understood that very well. As a result of the failure to defend Saguntum, Rome’s word already meant nothing in Spain – something that Roman envoys learned when they arrived to seek allies in the war against Hannibal.
“We believe that the normal human condition is peace, periodically disrupted by war. That illusion is the product of a large and historically rare superstructure built to keep lasting peace in existence. Without the perfect functioning of that superstructure, peace disappears.
“If it was truly the UN that was responsible for the growing peace, then the continued warfare in Africa makes little sense. UN missions to Africa are numerous. In truth, it is American apathy for the region that allows it to continue to remain violent, provided that the warfare does not affect American assets or security. Just as the Romans had only a passing interest in Germans or Celts outside of their empire, so Americans tend to ignore a sub-Saharan Africa that, while frequently in a state of crisis, poses no security threat to the United States or its allies.
“For some years the military strategy of the United States has included the ability to project significant power anywhere in the world. For the most part it has achieved that goal. These facts, in and of themselves, represent an extraordinary disparity in power. That is not to say that the United States has the power to fight the world and win. It does not. Nor does it need it. An Empire of trust only requires sufficient power to defend its allies and deter or punish aggression. In short, it must have ‘military strengths beyond challenge.’
*All excerpts have been taken from Empires of Trust: How Rome Built – and America is Building – a New World, Plume.
In On the Nature of the Gods Cicero explains his own metaphysical interpretation of the universe. The soul of the interpretation is pantheistic, and he notably relies on many keen syllogisms about the universe to support his explanation.
“How is it that the tides of the open sea and the narrow straits move to the waxing and waning of the moon, while the unequal orbits of the stars stay constant with each full turning of the heavens? This harmony of all parts of the universe is impossible unless they are held together by a single, divine, all-pervading spirit.
“It’s all but impossible to pollute a flowing stream, easy enough to poison a cistern. So, too, a rush of eloquence washes away objections, while a thin trickle of reasoning has a hard time protecting itself.
“Everything that lives, whether animal or product of the earth, lives thanks to the heat within it – from which we should understand that elemental heat contains a vital power that permeates the entire universe.
“It will be possible to infer, as well, that the universe possesses intelligence, for it is surely superior to any one element. Just as every individual part of our body is inferior to ourselves, so the universe must be greater than any part of the universe. But if that’s the case, then the universe must be wise, for if it weren’t, then man, who is part of the universe, would, in that he has a share of reason, be greater than the whole universe.
“Nothing can move to such a patterned rhythm without design. The orderliness of the constellations and their steadfast movement through eternity are not simply automatic…nor the work of fortune, which loves variety and rejects consistency. It follows therefore that they move of their own volition, thanks to their own judgement and divine power.
*All excerpts have been taken from Cicero: On Living and Dying Well, Penguin Classics.
The eighteenth century political philosopher Montesquieu examines the constituent features of Roman culture which contributed to the collapse of the Roman Republic. Montesquieu argues that the increasing territorial, as well as material grandeur of the Roman Republic magnified already existing constitutional schisms, and that the primal bellicosity of the Roman people lingered as a tinderbox for civil strife long after external conflicts had ended.
“The reason why free states are not so permanent as other forms of government, is, because the misfortunes and successes which happen to them, generally occasion the loss of liberty; whereas the successes and misfortunes of an arbitrary government, contribute equally to the enslaving of the people.
“Authors enlarge very copiously on the divisions which proved the destruction of Rome; but their readers seldom discover those divisions to have been always necessary and inevitable. The grandeur of the republic was the only source of that calamity, and exasperated popular tumults into civil wars. Dissensions were not to be prevented, and those martial spirits, which were so fierce and formidable abroad, could not be habituated to any considerable moderation at home.
“Those who expect in a free state, to see the people undaunted in war and pusillanimous in peace, are certainly desirous of impossibilities; and it may be advanced as a general rule, that whenever a perfect calm is visible, in a state that calls itself a republic, the spirit of liberty no longer subsists.
“It must be acknowledged that the Roman laws were too weak to govern the republic: but experience has proved it to be an invariable fact, that good laws, which raise the reputation and power of a small republic, become incommodious to it, when once its grandeur is established, because it was their natural effect to make a great people, but not to govern them.
“Rome was founded for grandeur, and its laws had an admirable tendency to bestow it; for which reason, in all the variations of her government, whether monarchy, aristocracy, or popular, she constantly engaged in enterprises which required conduct to accomplish them, and always succeeded. The experience of a day did not furnish her with more wisdom than all other nations, but she obtained it by a long succession of events. She sustained a small, a moderate, and an immense fortune with the same superiority, derived true welfare from the whole train of her prosperity, and refined every instance of calamity into beneficial instructions… She lost her liberty, because she completed her work too soon.
*All excerpts have been taken from Considerations on the Causes of the Grandeur and Declension of the Roman Empire, Public Domain.
When comparing The Secret History with On Buildings it is almost unbelievable both were written by the same man: Procopius. On Buildings glorifies the preeminence of the emperor Justinian in all things, and The Secret History maligns Justinian in all things. Extracting the attainable truth from The Secret History is devilishly difficult, because it was clearly written when Procopius was out of favor. It was also ostensibly written following the plague years, and after the wars in the West as well as East of the Byzantine Empire had gone bad. Despite these dilemmas the work does bring forth the apparent emotional underpinnings of East Roman society near the end of Justinian’s reign.
“Theodora had at her disposal secret and absolutely secluded dungeons, so solitary and so dark that it was impossible to distinguish between night and day…to her no place ever was sacred or unassailable; and she thought nothing of violating the holiest of sanctuaries. The Christian priests and people were struck with horror at her impiety, but nevertheless yielded and submitted to her in everything.
“Belisarius, although none of the charges brought against him could be proved, was removed by the Emperor, at the instance of Theodora, from the command of the army in the East…As for his friends and the many people who had before served under him, Justinian forbade them to visit him. Thus was seen in the city a piteous spectacle which men could scarce believe to be real, that of Belisarius simply a private individual, almost alone, gloomy and thoughtful, ever dreading to be set upon and assassinated.
“At the time when Leo occupied the imperial throne, three young husbandmen, of Illyrian birth, named Zimarchus, Ditybistus, and Justin of Bederiane, in order to escape from their utter poverty at home, determined to enlist in the army. They made their way to Byzantium on foot, with knapsacks of goat’s-hair on their shoulders, containing nothing but a few biscuits which they had brought from home. On their arrival they were enrolled in the army, and chosen by the Emperor amongst the palace guards, being all three very handsome young men.
“Justinian, by openly encouraging and provoking the Blue faction, shook the Roman Empire to its foundation, like an earthquake or a flood, or as though each city had been taken by the enemy. Everything was everywhere thrown into disorder; nothing was left alone. The laws and the whole fabric of the State were altogether upset, and became the very opposite of what they had been.
“He wrote decrees, without the slightest hesitation, for the capture of fortresses, the burning of cities, the enslaving of whole races of men for no crime whatever, so that, if anyone were to reckon all the calamities of this nature which have befallen the Roman people before his time, and weigh them against those which were brought about by him, I imagine that it would be found that this man was guilty of far more bloodshed than any ruler of previous times.
*All excerpts have been taken from The Complete Procopius Anthology, Bybliotech.